Web-Based Patronage, Dollar by Dollar

26 Aug, 2009 -

From the New York Times: A Few Dollars at a Time, Patrons Support Artists on the Web.

Earl Scioneaux III is not a famous music producer like Quincy Jones. He is a simple audio engineer in New Orleans who mixes live albums of local jazz musicians by day and creates electronic music by night. He had long wanted to pursue his dream of making his own album that married jazz and electronica, but he had no easy way to raise the $4,000 he needed for production.

Then he heard about Kickstarter, a start-up based in Brooklyn that uses the Web to match aspiring da Vincis and Spielbergs with mini-Medicis who are willing to chip in a few dollars toward their projects. Unlike similar sites that simply solicit donations, patrons on Kickstarter get an insider’s access to the projects they finance, and in most cases, some tangible memento of their contribution. The artists and inventors, meanwhile, are able to gauge in real time the commercial appeal of their ideas before they invest a lot of effort – and cash.

About the author

Alissa Wilkinson

Alissa Wilkinson founded The Curator in 2008 and was its editor for two years. She now teaches writing and humanities a The King's College and edits Fieldnotes. She has an MA in humanities and social thought from New York University and will graduate from Seattle Pacific University with an MFA in creative nonfiction in 2013. Her writing has appeared in Christianity Today, Books & Culture, Paste, The Other Journal, Q Ideas, The Gospel Coalition, WORLD, Relevant, and other magazines. Alissa lives in Brooklyn with her husband Tom in a tiny apartment stuffed with books and photography equipment. She loves sci-fi, scotch, empty notebooks, cheap ramen noodles, and getting lost on purpose in unfamiliar cities.

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