About the author

Alissa Wilkinson

Alissa Wilkinson founded The Curator in 2008 and was its editor for two years. She now teaches writing and humanities a The King's College and edits Fieldnotes. She has an MA in humanities and social thought from New York University and will graduate from Seattle Pacific University with an MFA in creative nonfiction in 2013. Her writing has appeared in Christianity Today, Books & Culture, Paste, The Other Journal, Q Ideas, The Gospel Coalition, WORLD, Relevant, and other magazines. Alissa lives in Brooklyn with her husband Tom in a tiny apartment stuffed with books and photography equipment. She loves sci-fi, scotch, empty notebooks, cheap ramen noodles, and getting lost on purpose in unfamiliar cities.

Cultural Snobbery

From Vanity Fair: James Wolcott on Cultural Snobbery. In New York City (can't speak for the other metro systems across this great land), every subway car is a rolling library, every ride an opportunity to spy on the reading tastes of fellow passengers and make snap judgments that probably wouldn't hold up in court. Single women in their 30s and 40s gripping a teenage-vampire tale or a Harry Potter-they seem to be ha...

14 Jul 10:19 AM 0 Read More...

Free?

From the New Yorker: Malcolm Gladwell on Free: The Future of a Radical Price. Anderson's reference to people who "prefer to buy their music online" carries the faint suggestion that refraining from theft should be considered a mere preference. And then there is his insistence that the relentless downward pressure on prices represents an iron law of the digital economy. Why is it a law? Free is just another price, an...

13 Jul 8:17 AM 0 Read More...

Yoga is like writing

From Good: The Joys of Absorption. Therein lies the key to my love of Power Yoga. I am told not to think. I am absorbed. This wondrous vacation from my head is also why I love writing. Sounds counter-intuitive, I know. But in an essay, "Why Write?" Alan Shapiro nails this addictive sensation mid-essay. He suggests that we write for the pleasure of "perfectly useless concentration." We write, Shapiro tells us, "fo...

10 Jul 12:58 PM 0 Read More...

July 10, 2009

How to Go to the Zoo By Matt Kirkland You don't love the zoo. But you should. Here's how. Connecting Refugees -One Bead at a Time By Rebecca Tirrell Talbot Refugee Beads and Village Gatherings help establish connections and make lasting changes in the life of refugees - and Americans. The High Line -Manhattan's Newest Public Park By Brian Watkins New York's prophetic public space has found ...

10 Jul 6:00 AM 0 Read More...

On my favorite Kentucky poet

From Smithsonian Magazine: 35 Who Made a Difference: Wendell Berry. As a farmer, he has shunned the use of tractors and plowed his land with a team of horses. As a poet, he has stood apart from the categories and controversies of the literary world, writing in language neither modern nor postmodern, making poems that have the straightforward elegance of the Amish furniture in his farmhouse. And in recent decades, he...

09 Jul 12:56 PM 0 Read More...

Writing about music is like dancing about architecture.

From The Believer: Dancing About Architecture. I just published a novel about music. Early in the process of writing it, I was warned by a similarly music-obsessive friend that "writing about music is like dancing about architecture." Since that first somewhat menacing reminder, I've heard the line frequently. At first blush, the claim is a smugly dismissive one: verbal descriptions of music are doomed to be poin...

08 Jul 12:53 PM 0 Read More...

Michael Chabon on the wilderness of childhood

From the New York Review of Books: Manhood for Amateurs. Most great stories of adventure, from The Hobbit to Seven Pillars of Wisdom, come furnished with a map. That's because every story of adventure is in part the story of a landscape, of the interrelationship between human beings (or Hobbits, as the case may be) and topography. Every adventure story is conceivable only with reference to the particular set of geog...

07 Jul 12:51 PM 0 Read More...

Making food culture

From the Times Magazine: Home Sweet (Urban) Homestead. In Oakland, where backyard menageries and D.I.Y. charcuterie are the new garage band, the term "urban homesteading" doesn't need an explanation. "It fits into the Oakland sort of self-defined vibe or aesthetic of doing things from scratch and being kind of hard-core," she said, tugging at the false eyelashes she hadn't had a chance to remove since judging "Iron ...

06 Jul 12:50 PM 0 Read More...