About the author

Makoto Fujimura

Makoto Fujimura was born in 1960 in Boston, Massachusetts. Educated bi-culturally between the US and Japan, Fujimura graduated from Bucknell University in 1983, and received an M.F.A. from Tokyo National University of Fine Arts and Music with a Japanese Governmental Scholarship in 1989. His thesis painting was purchased by the university and he was invited to study in the Japanese Painting Doctorate program, a first for an outsider to this prestigious traditional program.

It was during the six and a half years of studying in Japan that Fujimura began to assimilate the combinations of abstract expressionism explored in the US with the traditional Japanese art of Nihonga. Fujimura’s new book River Grace, traces his journey of mastering Nihonga technique using carefully stone-ground minerals including azurite, malachite and cinnabar, and his deep wrestling with art and faith issues. Upon his return to the US, he began to exhibit his paintings in New York City, while continuing to show in Tokyo, and was honored in 1992 as the youngest artist ever to have had a piece acquired by Museum of Contemporary Art, Tokyo.

After 20 years as a successful artist in Japan and the U.S., Fujimura has become a voice of bi-cultural authority on the nature and cultural assessment of beauty, by both creating it and exploring its forms. His paintings address the creative process and explore what it means to see. The work moves the observer from cognitive categorization to visceral experience.

In 1990, Fujimura founded the International Arts Movement, publisher of The Curator.

As an artist working from his studio near Ground Zero until the 9/11 terrorist attacks in New York City, Fujimura was deeply affected by the tragic events of that day. But his art continues to speak of hope even in darkness, and the deeper reconsideration of life's meaning. As an artist who travels widely, Fujimura recognizes the momentous changes the world is experiencing since those events, and the role of art in enabling people to reflect deeply, explore their feelings and become more profoundly aware. Some have experienced change for the better due to this awareness. In this regard he notes, "my work constitutes one of many voices calling for change, and I am increasingly hopeful as I observe evidence that we are all in a larger process of re-examining ourselves."

His works are represented by Dillon Gallery in New York as well as Tokyo. Public collections include The Saint Louis Museum, Museum of Contemporary Art in Tokyo and the Time Warner/ AOL/ CNN building in Hong Kong. He was appointed to the National Council on the Arts, a six year Presidential appointment, in 2003.

Ito Jakuchu: the Preserved Colors of Independence

Imagine seeing the Declaration of Independence but a few feet away, and the rag paper has no blemish or damage, and the ink is indelibly fresh, as if the Founders had signed the document yesterday. Imagine having thirty of these documents from the same period lined up side by side, all in the same impeccable condition. At the Ito Jakuchu exhibit, Colorful Realm: Japanese Bird-and-Flower Paintings at Washington DC'...

30 Mar 6:00 AM 0 Read More...

Why the Japanese Keep Winning World Championships

Despite being born in Boston, I spent my grade school years in Kamakura, Japan. My third grade teacher, Mr. S, was a catcher in an amateur baseball league. He used to throw chalk at students not paying attention, and I remember being hit by one in the head. Mr. S was feared by his students, and he taught as if all of his students were baseball players. He emphasized team play, sacrificing of oneʼs desires for the...

30 Dec 6:00 AM 0 Read More...

Ground Zero & the American Dream

Just as man cannot live without dreams, he cannot live without hope. —Elie Wiesel Background: On 9/11/2001, one of the engines from the hijacked planes landed in our street, almost killing a pedestrian. For the past ten years, I have been, with my wife and three children, a “Ground Zero” resident. All of our three children attended public schools surrounding the towers. We were, like the pedestrian, spar...

09 Sep 6:00 AM 0 Read More...

A Tale of a Father and a Son

Painter Makoto Fujimura and his son, C.J., a Philosophy and Music major at Bucknell University, discuss The Tree of Life. The film, written and directed by Terrence Malick, opens in select New York and Los Angeles theatres May 27. Makoto Fujimura: The intrigue going into Terrence Malick’s new film The Tree of Life, lead one to believe that it would be either one of the greatest films ever made, or a mystery o...

27 May 6:00 AM 0 Read More...

Departures The Art of Transformation

The term "funeral parlor" does not quite do justice to the scene. The Japanese word "nokanshi" is closest to "encoffineer," but the word only describes the task of preparing the dead body for cremation. The nokanshi in the Academy Award-winning movie Departures does the task, yes - but does so carefully, lovingly, and artfully. Such an "art" of preparing the dead body seems unnecessary in today's modern Japan: by ...

29 May 6:00 AM 0 Read More...

Good Friday Sightings

St. Patrick's Cathedral in New York City. While crossing Fifth Avenue and 39th Street I could see, between silver buildings and above the traffic dotted with yellow cabs, the spire of Saint Patrick's Cathedral. I had called my wife, who grew up Catholic, about the possibility of going to a Good Friday service. Even as a Presbyterian, I long for Holy Week services. Since this was to be Cardinal Edward Egan's last G...

24 Apr 6:00 AM 0 Read More...