Sarah Hanssen

Sarah Hanssen’s film and video works have shown at festivals and screenings throughout North America and Europe. She received her Masters of Fine Art in film and video at the Massachusetts College of Art. She works as a programmer for the Hamptons International Film Festival and an assistant professor at Pratt Institute. Her most recent accomplishments include the birth of two excellent daughters. She lives in New York City.

Our House: An Interview with Greg King

Sarah Hanssen talks with Greg King about his new documentary, Our House, which explores an intentional Christian community in an abandoned warehouse-turned-homestead for the chronically homeless and recovering addicts in Brooklyn.

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An Interview with
Emily Kunstler and Sarah Kunstler

Filmmakers – and sisters – Sarah and Emily Kunstler talk with Sarah Hanssen about their new documentary and their father’s fight for justice.

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Analyzing Up In the Air

Up In The Air gets so many of our modern conundrums right that it’s hard not to classify the film as a tragedy, even with some great laughs.

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Precious, or The Blind Side?

Two films with similar settings, but very different outlooks on success, help us examine our own ideas about privilege, hard work, and what makes us feel valued.

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The Myth of Extremism: The Baader Meinhof Complex

The Baader Meinhof Complex is a complex, challenging film about extremism and powerlessness.

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Dreams, Chickpeas, and Cold Souls:
An Interview with Sophie Barthes

Filmmaker Sophie Barthes was born in France and grew up in the Middle East and South America. A Columbia University graduate, Barthes has made short films that garnered numerous awards. She completed residencies at the Nantucket Screenwriters Colony and the 2007 Sundance Directors Lab. Her new film, Cold Souls, is in selected theaters now. The [...]

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Night In At The Movies

Some guidelines for starting a movie night.

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Recording Reality:
An Interview with Brent Renaud

An interview with award-winning documentary filmmaker Brent Renaud.

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Revolutionary Road:
Marred Sophistication, Trapped Dreams

One of Mendes’s great successes is the mood he captures, in which we see doom but continue to hope for these characters. Kate Winslet’s April is that fragile balance of strength and whim so rarely achieved without overdoing it. The world around her closes in, and yet she continues to believe that things can change. Leonardo DiCaprio plays Frank for the coward he is; his youthful good looks and charm allow him to coast in a world where people are pleased to accept the easiest answers and deflect personal responsibility.

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Morality Suspended in Seven Pounds

Seven Pounds: touching, or morally reprehensible?

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