Vive le Salon!

This piece was first published in 2008. Throwback Friday!

The Art Salon takes the art dialogue away from the exhibitionism of the public square, back to the privacy of personal circles, even the intimacy of the home. Salons first became popular among the nobility of 17th century Europe as a time when the comtesse and her girlfriends got together to hear about things that mattered – in the salon, their equivalent of our living room. Salons became a form of meeting integral to the shape of society – at least one gave rise to the French Revolution in the 18th century. For the trophy wife, the revolutionary, the avant-garde artist, salons have always been about standing up to the status quo.

Recently, I went to one such inspiring salon evening. Ryan Callis, an artist, and Chris Davidson, a poet, just hosted their fifth installment in Seal Beach, California, near Los Angeles. With the blessing of their wives, these two co-workers and neighbors open up the Davidson home every other month to other rabble-rousers and creatives. As the sun was setting, a few dozen friends and strangers milled about the front lawn, porch, and kitchen, and finally settled into the living room. That night, we heard a pair of artists speak, viewed a slideshow of Nokia-sponsored photos of India, listened to a poet recite from her book, and were acoustically serenaded by a rock outfit. Weeks later, I catch up with Ryan Callis via email, and tell him how smart he and his compatriots are for luring the art crowd to their surf and turf.

So is your artist salon REALLY called, “The Society of Interested Persons” ?
Ha, ha, ha, yes sir, it is. I have an affinity for creating titles as a potential for fun word combinations. My MFA show at Claremont, with Evan Roberts, was called The Grand Order of the Salt Dippers. We both surf, so we were “The Grand Order”. I think “The Society of Interested Persons” has a fun ring about it. For a poet, Chris had called it the very un-fun “Second Saturday Salon”. Yawn. I spiced it up.

What kinds of people typically show up to the Salon?
As founders and key inviters, Chris and I look to our friends and families as repeat customers. Next come those that visiting artists and lecturers bring. A few neighbors and an occasional passerby join in. We run in different circles and have a ten-year age difference between us. So we already mix it up with our own crowds. But maybe our crowd can be summed up best as 18-70 years old, poor to rich, Christians and not Christians, G.E.D. to Ph.D.

Do they fight?
It’s awesome because all these folks get together in a somewhat neutral environment, compared to, say, a gallery. Because we have breaks between presenters, I think it is amazing to watch everyone mingle, network, and be able to have topics for conversation.

Are art salons on the endangered list of art world species?
I don’t know. I know that in this day and age, anything without money or drool-inducing entertainment is automatically a rare species. But I observe the art world as more community-based – more potential for interesting community than most other worlds.

What in your opinion makes for a good salon gathering?

One in which quality of presenters and the enthusiasm of the crowd come together! A good salon is just an awesome evening all around; you can just feel it.

I still wanna know what unexpected things have happened.

Drunk, chatty housewives have been the surprise! Lots of inappropriate commentary or questions during presentations, but always innocent enough and funny in hindsight. There was another time when a presenter’s dad came to hear her speak, but thought a college party a few houses down was our salon! He ended up hanging out at that rowdy “salon” for two hours until he wised up. All alcohol-related things I guess.

Tell me something that’s printable about your co-host Chris.

Chris is an awesome poet. He is a man of many ideas and little time to make them happen, which is where I come in handy. He is also a very generous guy and he’s let us invade his house.

Tell me something about what YOU do when not co-hosting the Salon? You’ve got that solo show at the gallery coming up.
Yes. When I am not salon-ing I am painting, surfing, family-ing, and praying. I make art; the salon is a part of that. A less-cool-than-painting part of that. Oh, and I teach university sometimes. The salon is my way of acting out Dada urges.

What’s in store for next time? I missed the drunk housewives last time, I guess.
Next for the salon will be Chris as poet, me as the artist, and a local singer/songwriter named Barrett Johnson. Barrett is awesome, and I did the art for his album. It’s a question mark as to our lecturer, although on my mind is local and surfboard-shaping legend Rich Harbour, or Otis College of Art’s curator, and an interesting gal, Meg Linton. People keep asking for our work to be featured, but we had felt it was too soon, until now. Los Angeles artists Lynne Berman and Steve Roden, as well as LA critic James Scarborough have tentatively committed to the next, next salon. That would blow my mind.

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The Curator is an assemblage of original and found essays, poetry, reviews, quotations, image galleries, video, and other media in a continuing commitment to wrestle with all that is in culture, and to look toward all that ought to be in hope.