
The latest CIVA exhibition, called “I Am Not a Machine”, acts as a fitting follow-up for those curious about Christian belief and new art practices.
I have a hunch that the aesthetics of online space may contribute more to the friendliness and maturity level of a place than we suspect.
It is a fantastic mixture of confidence and humbleness that allows us to dream of the image of our own bodies suspended in air, confident that anything is possible, humble to the inspiration.
A walk through some of the most talked-about openings in the New York art world this fall.
Domig’s figures are, indeed, autonomous, as the exhibition’s flyer describes. But they slip in and out of materiality, as if to nod back to their creator, in deference.