Photographs of our possessions and domestic patterns can be portraits, just like the photographs of our faces.
From The Economist: Twentieth-century man. “Nothing is more hateful to me than photography sugar-coated with gimmicks, poses and false effects,” wrote August Sander in 1927. “Let me speak the truth in all honesty about our age.” Like a lepidopterist, Sander captured and classified his fellow Germans, arranging them by profession, social class and family relationships. [...]
Everlasting Moments, the beautiful story of a Swedish woman whose photography gives her hope.
Two very different approaches to the deadly serious topic of sex trafficking.