Kathleen Hellen
Kathleen Hellen

Kathleen Hellen’s latest poetry collection is The Only Country Was the Color of My Skin. Her credits include two chapbooks, The Girl Who Loved Mothra and Pentimento, and her award-winning collection Umberto’s Night. Her work has appeared in Ascent, Barrow Street, The Carolina Quarterly, Colorado Review, Four Way Review, Grist, jubilat, New American Writing, New Letters, North American Review, Prairie Schooner, Puerto del Sol, The Rumpus, Sewanee Review, Spoon River Poetry Review, Subtropics, The Sycamore Review, Verse Daily, and West Branch, among others.

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sfumato

after da Vinci’s Virgin of the Rocks

white light from behind, erotic in its imperceptible transitions, transitioning through God’s fantastic rocks, God’s object as the stand in for the greatness that is God’s not lessened in the layers: glazes, thin oil the angel Uriel who points to truth away from benediction toward God as light, the incandescent face both male and female.

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