From the Roster: Janna Dyk
By Meaghan Ritchey Posted in Visual Art on June 3, 2014 0 Comments 4 min read
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Will We Talk or Shall We Just Gaze is a recent series of text-based photography and sculpture by Janna Dyk. In addition to my reflections on Janna’s work, some of the the commentary on the images below was written by Sophia Alexandrov, Janna’s colleague at Hunter College.

Janna Dyk’s Bio:

Born in Los Angeles and raised in the Pacific Northwest, Janna Dyk’s present base in New York has proved fruitful to her work in interdisciplinary collaboration, photography, sound, installation, writing, and drawing.  Currently pursuing a Master in Fine Arts at Hunter College, she is a graduate of Asbury University, has studied at the School of Visual Arts in New York City, and completed an artist residency in Beijing, China, with Art International Residency Projects.  She is the former Center Coordinator at the New York Center for Art & Media Studies (NYCAMS), and was the Collaborative Visual Arts Curator for the 2012 Chelsea Music Festival, which included, among other shows, curating OPEN CAGE: NEW YORK, a 75-person performance at Eyebeam Center for Art + Technology, [ON SILENCE], a group exhibition at NYCAMS, and Silence, an interdisciplinary collaborative performance at the Rubin Museum of Art.  She has exhibited her work internationally.

Janna Dyk’s full body of work can be seen at her website and Tumblr pages.

Dyk’s work has taken a variety of forms over the last few years, but the unification of  her various modes and the ideas she’s commenting on have never been more apparent. Starting out with drawings, then moving into photography of drawn and assembled sculptures, and then re-photography of those photos, which might eventually become mixed-media photographic sculptures, etc., her process of splicing ideas and objects together naturally plays into her reading of how conversation (relatedness itself), particularly web-based communication, can be fragmented, removed, and reassembled in unusual ways.
"She Did What She Could" 2014 Digital C-Print 18x24”
“She Did What She Could”
2014
Digital C-Print
18×24”

In recent work, words are strung together that particularize dichotomies pervasive in contemporary conversation like : “we are better via Gmail” and “why don’t you screenshot that and I’ll look at it later”, simultaneously embracing and condemning our new modes.

"We Are Better via Gmail"  2013
“We Are Better via Gmail”
2013
graphite and thread on archival paper

 

“why don’t you screenshot that and I’ll look at it later”
2013
graphite & thread on archival paper

Walking into a recent installation of Dyk’s work, Alexandrov remarked that: “photographs, works on paper, art books, and a wall projection appear as splashes of color floating ethereally in a white cube. The different levels of seeing that are experienced upon entering the space are echoed in the works themselves.”

“Dyk explores the complexities of the contemporary human experience through layering and distortion of relationships among objects, text, and image. Neither the relationships among the exhibited works nor a definitive message are made obvious to the viewer. This confusion is purposeful; Dyk challenges her audience with ambiguity, and her works encourage investigation. Unidentified pronouns appear in text throughout many of Dyk’s works, and raise difficult, thought provoking questions of “knowingness” versus “unknowingness”, “meaning” versus “non-meaning”.

While Dyk’s work is bound up in its relevance to timely conversations, it, at times, is also a less layered interaction between lasting, non-ephemera and traditional techniques as seen in her book stitching.

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“untitled”
2013
book with graphite, pencil, & embroidery

Dyk’s work can be read as seemingly devotional, each memo and assemblage a deliberate act of speaking or remaining silent which, for a viewer, is very compelling. One is left wondering what she’s thinking in the studio, what she’s felt,  and what questions she is posing to us when we encounter work.

IMG_0830
“I Am Only Seeing”
2014
embroidery thread on paper
8×10

Janna Dyk’s other work can be seen at her website and Tumblr pages.

 

 


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